So it got me thinking: which are the best cartoons of all time?
Well, I've decided that I'll be writing a few entries over the next few days, to share what I believe are the ones that belong in this category. I won't be doing a top 10, top 20 or any top x10 list for that matter. I'll just post the ones I consider that simply belong, whether if it's 12, 21 or 47. I will post three cartoons per blog entry, and see how it goes, starting with....
Animaniacs (and all its characters and spin-offs)
There's a Southpark episode in which one of the side characters tells Cartman that "there are two types of people in the world: 1. Those who like Animaniacs, and 2. Those who don't like Animaniacs. Either you are with us or without us." In this case, Animaniacs belongs on my list.
Yakko, Wakko and the beautiful Dot |
The main characters Yakko, Wakko and Dot have unique well defined personalities and they never get boring. I also like how most of the wit of the cartoon comes from comedy of the 1920s and 1930s, that has been molded to fit into the 1990s. That is not an easy thing to accomplish. Yakko has a lot of Groucho Markx in him, just as Wakko has a lot of Buster Keaton. Dot combines innocence, tenderness, naiveness with quirkyness, madness and cuteness. How she does that is beyond me.
Hello Nurse, was along with Minerva Mink, two female adult themed characters |
Pinky and The Brain: Two of the greatest supporting characters of all time. |
The drawings were fantastic and the music was catchy and contagious. All in all, it lasted five seasons, and I would say the standard was pretty much very high in each one of them. Pinky and The Brain eventually got their own spin-off, which lasted four seasons.
Both cartoons were cancelled in 1998.
Batman The Animated Series
Although I will be posting blogs and mentioning cartoons without a specific order, I might as well get this one out of the way.
The INTJ Stare |
Let me put you into context:
It's 1992 and Tim Burton had already released two successful Bat-Man films and both of them set a new tone for the image viewers had of Bat-Man. Before Burton's films, most audiences where either used to the 1960s Bat-Man series... you know, the "WHAM!", "POW!", "OUCH!" one, or used to the Bat-Man (and Robin) character from the "Superfriends" cartoons. The former image was sort of a comedic/absurd role, while the latter was more of a "moral compass" kind of role more focused on teaching moral lessons than doing any superhero stuff. Both Bat-Man characters were really really far from the true dark nature of the comic books. Burton's Bat-Man played almost to perfection by Michael Keaton, was adult themed and more true to the comics, but still wasn't close enough; he was very good though, receiving critical acclaim from almost every single critic, but it wasn't close enough. That's where BTAS comes in.
Batman on the job |
Most Batman discussions today spin around two topics: #1. Who is the best Batman: Keaton or Bale? and #2. Who is the best Joker: Nicholson, Ledger or Leto? Some people say Bale/Ledger, others say Keaton/Leto... no matter the combination, it always makes up for a good beer chat. I've never seen anyone fully agree on one combination or another. However, when someone mentions BTAS, the case is closed.
Batman from BTAS is the quintessential Batman: he's dark, he's brilliant, he's cold, and so many other qualities that reflect the true essence of the character. The one I like most: he's menacing. That INTJ stare is perfect.
The best joker |
Apart from those two key elements, the episodes were sharp, well drawn, incredibly animated, the tone was perfect, the music was awesome. In a nutshell, the series had zero flaws.
And if that's not enough, think about this: BTAS gave birth to Harley Quinn.
Rocky and Bullwinkle and His Friends (aka The Rocky and Bullwinkle Show)
Some millenials and perhaps even some Gen Xers probably weren't expecting this one, and maybe they never even heard of Rocky and Bullwinkle until today. Well, hopefully I'll change their lives.
The year is 1959 and all of a sudden ABC releases this cartoon that quickly grabbed the attention of millions of viewers, rising to become the higest rated TV show on daytime.
Bullwinkle and Rocky going at it |
Keep in mind back then, it was competing against the likes of cartoons made by Disney, Warner's Looney Tunes, and even family series such as Zorro and Lassie... and it was able to beat all of them in their own game. How could this be?
My answer is simple: Rocky & Bullwinkle was way, way ahead of its time.
Bullwinkle and Rocky, with their two nemesis Boris Badenov and Natasha Fatale |
-Rocky: oh no! this is the third attempt on your life! This is the end!
-Bullwinkle: well, I don't think so. According to my watch, we still have one minute and forty seconds left on this episode!
#2. Making the narrator a useful character: unlike other previous animated series and movies, where the narrator is dull and brings nothing to the plate, in Rocky & Bullwinkle, the narrator is one more character that goes along with the story. I can only compare Rocky & Bullwinkle's narrator to Arrested Development's narrator. That's how good he is. As each episode was about to end, the narrator would often announce two humorous titles for the next episode, with both titles being puns of each other. Moreover, the titles would have more relation with the current episode than to the plot of the next episode. For instance: on one episode where a plane is about to crash on top of Rocky, Bullwinkle and a third character, the narrator says:
One of the villains' plot to "take Washington" goes right into the trash, after he sees this newspaper headline. He immediately says: "well, I guess anyone can take Washington these days" |
#3. Genius level absurd plots: each episode features a completely absurd plot only comparable to cartoons from the 90s and 00s. One episode featured villains using a secret weapon to turn brilliant people into idiots. When wondering which country should the main villain attack first, he replied: "Let's pick an easy one: the US of A"
#4. Hillarious supporting characters with even more absurdity: before Animaniacs had Pinky and The Brain as supporting characters for the show, Rocky & Bullwinkle had Mr. Peabody and Sherman. I'm talking about 35 years before Animaniacs. Mr Peabody is a cartoon dog, who is the smartest being alive on the planet, as well as a business magnate, inventor, scientist, Nobel laureate and Olympic Champion, oh... and he also has a mascot: a pet boy called Sherman (yes, a pet boy). Despite being a huge geek/nerd, Peabody is a comical and cool as you can imagine; maybe even way cooler. He has a time-travelling machine, which he uses to his pleasure to find all kinds of adventures. And he also uses the same Rocky & Bullwinkle satirical humour.
Mr Peabody saving the day once again, while his pet boy Sherman watches |
The union general asks: -"But do you know anything about indians, son?"
Sherman replies: -"Only that they play on the American League!"
#5. It was the first cartoon that showed animated shows not only could be entertaining, they could also be used for satire and black humour.
And again... this all of this happened in 1959!
In my opinion, a list of cartoons heavily influenced by, or with strong references and connections to Rocky & Bullwinkle includes:
- Ren and Stimpy
- Southpark
- Beavis and Butthead
- Animaniacs
- Rugrats
- Johnny Bravo
- Family Guy
- Monty Python's Flying Circus (not a cartoon, but still)
- Arrested Development (also not a cartoon, but still)
I could go on about Rocky & Bullwinkle, but I'll leave it up to you to google their episodes. You won't regret it.
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